Tuesday, January 27, 2009

Spinning the First Fleece, Writing the First Book



By Liz Adair

When my daughter Terry returned from Bolivia, she brought me back a gift from Sonia, the lady she had gone down to see. They were doing work for SWAN, a 501 C 3 Organization that administers microloans to poor women.

When Terry gave me Sonia’s gift, pictured left, I acted as if I knew what it was. “How nice!” I said. A while later, I finally figured it out. Sonia had sent me a spindle. It’s a device the peasant women use to spin wool by hand as they’re walking along or sitting in the marketplace.


If you’ll remember the story of Sleeping Beauty, the thing that caused her to fall asleep was pricking her finger on a spindle. You can see that this one has a wicked-looking point on the end. If I fall asleep and don’t wake up, find a handsome prince to kiss me.

But back to the story: Terry assured Sonia that I would be delighted with this gift, and I am. I haven’t done any spinning with a hand spindle, but I got pretty good with a treadle spinning wheel.

As you can see, my wheel is missing some parts. A couple of moves and grandkids in the area has taken its toll.


My friend Janet Walker taught me to spin. She did spinning for an artist who had been commissioned to do a tapestry for a municipal building, and she said to me, “By the time you’ve completed your first fleece, you’ll know how to spin.”

She was right, but do you know how long it takes to spin a whole fleece?


Actually, prepping the fleece is about as time consuming as spinning it. You have to pick out all the manure and hayseeds and carefully wash it. Then you have to card it into soft clouds before it’s ready to spin.

That’s the way it is with writing family history. Not the picking out the manure part--though that may be an apt metaphore. What I mean is the "By the time you get it written, you’ll know how" part. You might as well learn by doing, because at each stage, you’ll have something to show for your efforts.


My first attempts at spinning were uneven and slubby, but I kept them and knit them into a wool cap that I got lots of complements on. People thought I had bought the yarn at an upscale boutique.

Likewise, when you write your first reminiscence, you’ll end up with a memory on paper that will last longer than you, if taken care of. A hundred years from now, the person who reads it won’t care that it wasn’t polished. What he will care about is that it was written down.
And…by the time you’ve written your first book, you’ll be a good writer.

Friday, December 5, 2008

Final Countdown to "Counting the Cost"

10-9-8-7 or less...and counting the days until "Counting the Cost," the new novel by best-selling author, Liz Adair will be ready for shipping!

The last few weeks have been extremely exciting as I've worked with Liz to finish up her manuscript and cover and get the book to the printer. Books will be shipping our way early next week, which means we have books to purchase that will be delivered before Christmas--yeehaw!
Best of all, we're offering a pre-release special of $4 off (well, 3.95...) the cover price! That means they are only $14.00...and we would love to send one or two copies your way for the readers on your Christmas list.

Whether you plan to purchase a book or not, I invite you to visit http://www.cecilymarkland.com/ where the cover is posted on the main page, or this link will show you some of the endorsements we've already received: http://www.cecilymarkland.com/index.php?page_id=12&newsletter_id=450

Tuesday, August 5, 2008

Thursday, May 29, 2008

Cecily Markland here...I am eagerly awaiting Liz Adair's arrival here in the Phoenix area where she will present a workshop tonight (Thursday, May 29) on one of her favorite topics, "Using Family History in Fiction," and we will participate in "A Family Celebration of Music and Art" in Mesa on Saturday. For those of you who aren't in this part of the country or who won't be able to attend, but are interested in the material, a booklet (also titled, "Using Family History in Fiction") will be available to purchase from www.inglestonepublishing.com (which will be up and running in raw form as of Saturday!) In the meantime, if anyone is interested in inquiring about purchasing the booklet or in scheduling Liz for a workshop or seminar, please e-mail me at writeone at cox dot net (written this way to avoid phishing, you know what I mean!).

All of this is just part of what is happening as we are ramping up to introduce, Counting the Cost, Liz's powerful new novel based on her own family history. As the book is in its final edit and we are working on the design of the cover, it really feels like history in the making! It's a beautiful story and it's going to look beautiful as well! I believe Counting the Cost is Liz's best work yet, one that will not only bring a small piece of history to life and pay tribute to all that makes up our nation's Western heritage, but that also reaches deep into the hearts of strong, interesting characters and, in so doing, teaches each reader insightful lessons for life. Indeed, for each of us, doesn't life come down to the cost of our choices?

To receive updates about the progress of Counting the Cost, come back to this blog or sign up for updates by going to www.inglestonepublishing.com anytime after June 1.

Tuesday, May 27, 2008

Using Family History in Fiction

It's been a while since I've posted here, but I've got a good excuse: I've been finishing my booklet on using family history in fiction. It's titled, natch, Using Family History in Fiction.

Here's what it says on the back cover (written by my editor):

Does your family have a story that needs to be told?

Are you a writer wanting to add life and “care-a-bility” to your stories?

Do you want to learn how to tell your family history in an interesting and inspiring way?Learn from a pro how to do just that and more!
  • Discover how to use familiar settings as the backdrop for believable scenes
  • Find out how and why to tell true family stories from a fictional slant
  • Learn how to mold your ancestors or family members into strong fictional characters
  • Share your favorite memories and family lore
  • Develop your storytelling ability

Liz's information about using family history in fiction is very interesting and valuable. I recommend it. It will help you "write what you know." - T. Deighton

Published by Inglestone PublishingPrinted in United States

The booklet sells for $4.95 and is hot off the press. Click here and you'll be taken to the Inglestone Publishing web site where you can purchase the book.

I'll be in Phoenix on May 31 at the Music and Arts Festival and would love it if you would stop by the booth so I can meet you. I'll have these booklets for sale, and a great brochure on blogging family history that I'm giving out free. Go to www.musicandartsfestival.com to find out more about the festival. Hope to see you there!

Friday, April 25, 2008

Great Minds and all that Jazz

I'm not the only one that is spreading the gospel of writing family history in fiction. While doing research for a booklet I want to write about this subject, I came upon a booklet written by someone else who is a practitioner and a proselytizer.

Her name is Jennifer Johnson Garrity, and she has not only written a book based on family history, but she has also written a how-to and workbook entitled Family Tree, Writing Historical Fiction Based on Family History. It’s published by BrimWood Press and its target audience is homeschool children, but it would be a great guide for anyone who has the yearning to write a family story as fiction but isn’t sure just how to proceed.

Jennifer Johnson Garrity tells her own story on page 3, chronicling how she came to the realization that she was the one who needed to write her family’s experiences during the Civil War in Missouri. The result is The Bushwhacker, published by Peachtree Publishers, Ltd. In 1999. You can find it on Amazon.com.

Ms. Garrity also lists several books that are closely or loosely based on family history. I found several others to add to that list by using a search engine and the words “family history in fiction”. One of my notable finds was William Faulkner, who used his family history and the history of his home county in much of his work.

Back to the workbook. Andrea Newitt added homeschool tips and a teaching schedule for the target audience, which might be of use if you want to set a personal goal for completing your story.

The workbook takes you through the research phase, walking you through both general research about your family member’s time and region, but also specific research that will help you to avoid jarring anachronisms as you write. (I didn’t promise that fiction would release you from research. I did say it would release you from footnotes.) Ms. Garrity gives you lots of pointers on where you can go to begin your research, and she shares how her research grew for The Bushwhacker.

Next, she talks about plot and how you’re writing a story, not a report. She gives lots of tips on how you string sentences together to form a strong narrative. She gives great advice about using adjectives sparingly, using strong verbs, avoiding passive language and employing a variety of sentence starters and has practice work for each. These are all part of the craft of writing and something that every writer is constantly working to improve.

If you’re interested in obtaining one of these workbooks, go to www.brimwoodpress.com/productlist.html and scroll down until you see Family Tree. The cost is somewhere around $20.

Friday, March 28, 2008

Introducing Marlene Austin

Today I'd like to introduce guest blogger Marlene Austin. She's the author of Grave Secrets. a Mormon family history mystery (how's that for a new literary genre?) which was a Whitney Award finalist this year. Congratulations on that honor, Marlene!

Marlene says that living in historic New England and spending a good deal of time visiting cemeteries for her own family history were what prompted her to add features of genealogical research to her fiction. Grave Secrets is not only a romance/mystery, but family history research is as essential to the plot as the mysterious woman Bethany, the main character, seeks to identify.

Marlene is currently finishing up the sequel as well as doing more research on her own ancestors. However, she took the time to write the following for our Familywriters Blog.

Leafing Out My Family Tree
by Marlene Austin

According to the blogs I’ve been reading, a lot of writers are spending a lot of time watching people rather than their computers. Writers are looking for characters to build their plots around and plots to showcase the characters they’ve spotted. I’ve never needed to sit and watched people for characters. I have a world full of people and experiences just waiting to be told. I do family history.

In my current project I needed an experience where a mother feared that her child was lost but finally found her safe. I remembered the story of my mother scaring her aunt into a panic when she, as a small girl visiting the woman, climbed into the large bed and cuddled in for a mid afternoon nap. When I needed an endearing recitation to help my heroine fall in “like” with a guy, I simply recounted one of those incidents my own sweetheart had told me about himself. He’s now won my heart twice. My brother teases me about a scene where my heroine does some remodeling—moments recaptured from one of the many times our father remodeled one of our four family homes. When it is time to name a new character in a piece, many writers pull out a book for naming babies and scan the list of names. I pull out my family history book, choose the time period I want the name to represent, and find a name—a name that not only represents a character but that automatically brings an age and a time period to my readers mind. Sometimes I barely need to give additional historical background because the name says it all.

Recently I’ve found that the more writing I do, the more I lean upon my family’s historical experiences, and likewise, the more family history I do, the more I find myself seeing my ancestors through the eyes of a writer and longing to write about them.

Here’s an example:

On January 9, 1831, several months after the organization of the Mormon Church, a hole was cut through a foot of ice on a pond near the home of John and Sarah Graham Coltrin so their son, Zebedee Coltrin, could be baptized. Other family members, including my great, great grandfather Graham Coltrin, Zebedee’s brother, joined the church within a few months. It is easy to follow the movement of the family by the places and years of their births. John Coltrin, the patriarch of the family, died near Winter Quarters. Zebedee and Graham both lost their wives and a number of children before they crossed the plains to Utah. Once in Utah, Graham’s second wife bore him twins but she, along with the babies, then Graham himself, all died within a month of each other.

Zebedee who had served as one of the first presidents of the seventies under Joseph Smith, did the temple work for several of his ancestors in 1885 but the only information left about his mother, Sarah Graham, was that she was born in 1775 in Petersburg, Ohio to John and Hannah Wallace Graham, and she died in Peterborough, New Hampshire. This information was questionable at best.

It was not an easy task to sort out the truth and find the location of the cellar hole John Graham dug for the cabin he and Hannah moved to in 1765. It was not easy, but when I stood by the hole and realized that not only John had been there but Hannah, his wife, Sarah, their daughter, and the rest of the family including Hannah’s parents, even her grandmother, it was quite amazing.

I walked the short distance from the cellar hole, now a depression of three or four feet edged by thin-trunked, spindly trees, to the small lake. They would have fished here, gotten water here, swam, bathed and played here. My steps were undoubtedly touching soil their shoes—or feet—had touched. I was looking at rocks they dug and piled, trees they climbed, paths they followed, walking and skipping. I could nearly hear Hannah call Sarah to finish up her chores, to come in the house—supper was ready, it was time to get to bed.

It was the thoughts of those voices that taught me the most about them. Hannah, her tones soft and warm as she talked to John in the stillness of sunrise; Hannah, her voice hushed and tired, strained with exhaustion as she called the children home from the lake while John served at Bunker Hill; Hannah cold and lonely as she pulled her quilt closer to her in the bed John would never share with her again. Yet Hannah, widow, would have been strong even after the day when the descriptive noun had been added to her name. Would Sarah, among the youngest of their children, have been a bright spot in Hannah’s life or a nearly forgotten child as her mother grieved for John?

I am planning to write a book including the story of Hannah with John and Sarah. I will place them in the forest where they settled; the tall pines, the rocky terrain covered in autumn leaves will be the background to their plight. I will be writing about people I know in a place that I love. Identifying the Graham and Wallace families has become one of my most cherished family history experiences. As I begin thinking about the book, focusing on a worthy plot and slowly gathering accurate information, the process forwards me into a new understanding of these ancestors. As I create relationships and arrange these people into history, their reality settles into my knowledge of them. I will not know their characteristics enough to paint them in their true colors or give them the words or thoughts they truly pondered, but seeing where they lived and what they lived like cannot help but bring my thoughts closer to theirs.

This experience is fulfilling an incredible dream for me both as a family historian and as a writer. I believe the two pursuits work together adding a new overall dimension not only to my writing but to my relationship with my ancestors.